Trickle Divide
涓流分界
Knowledge and intuition
知识与直觉
- Ah-ha moments
灵感时刻 - Ovula Ovum
奥武拉·奥乌姆 - Dream Weavers
织梦者 - A Wilderness Of Spiders
野境蛛影 - Protégé
门生
AH- HA Moments Pen & Card Installation,
Hold my hand (my London man), Tell the truth (Lie), Love me still (Move me).
X- Guangzhou,
December 2021
灵感时刻 笔与卡片互动装置
握紧我的手吧（我的伦敦爱人）向我吐露真相（或是谎言）依旧爱我吧（或让我远走）
广州，2021年12月
Ah-ha Moments 灵感时刻
Trickle Divide 涓流分界
Interactive exhibition activity, Jan 2023
《涓流分界》个展，北京墨谷·欧陆广场，2023。作品《灵感时刻– 白色谎言》（宣纸麻胶版画），系列包括《失落的魂灵》、
《痛苦的败者》、《隐情暴露》。
‘Trickle Divide’ Solo Exhibition, Ink Valley-Europlaza, Beijing, January, 2023. (top) Ah-Ha
Moments – White Lies, Lino cut on rice paper, ‘ (Lost Souls (lotus), Sore loser (Roses), Omission lies (men)
Ah-Ha Moments
灵感时刻
Ah-Ha moments: 15 x 15 cm, Lino cut on rice paper. Take a Rest (tea, Art) Intuition (Union)
Subconscious (Coin Boss)
Loneliness (sos), 2024-25
灵感时刻/ 15x15cm / 宣纸麻胶版画 / 2024-25含：歇息（茶, 艺术）| 直觉（联结）| 潜意识
（硬币主宰）| 孤独（SOS）
Ovula Ovum
奥武拉·奥乌姆
This body of work explores qualities of the divine feminine, of closure and disclosure, growth through division or revelations and secrets (knowledge). Refinement and expansion.
本系列作品深入探讨了神圣女性性相的特质，关乎终结与开启、通过分裂或启示（与秘密知识）实现的成长，以及精粹与开显的辩证过程。
Ovum Ovula: Peeling bac layers of the feminine and doctorine. Influences from retreived Nag Hamadi texts menstrual pad patterns, and egg cowrei shell symbolism, dead sea scrolls
《奥武拉·奥乌姆》：剥离女性与教义的重层叙事。作品灵感源自多重线索：重见天日的拿哈马迪文献所承载的古老智慧，卫生巾纹样所记录的当代身体经验，以及鸡蛋/宝贝螺壳作为生命与神圣的古老象征。这些元素共同交织，对固有的教义体系进行了一场深层的叩问与拆解。
Dream Weaver
织梦者
Dreamweaver: Finding solace inside a sea of organic rhythms taking an inner journey. Can nature’s wisdom be contained within an ancient text or ‘scroll’? Can we hope to unwrap ourselves by adhering strictly to the guidance offered within texts, or does it exist in the experience of conscious living? Do we weave our own destiny as we go?
Am I revealing more complex layers or refining myself, as I tread a the path of awareness?
在充满有机韵律的海洋中寻找慰 藉，进行一次内心的旅程。自然界的智慧是否可以被禁锢在一本古老的文字或“卷轴”之中？我们能否寄希望于通过严格遵守文字中提供的指引来揭开自身的奥秘，抑或这种智慧存在于有意识生活的体验之中？我们是否在行进的过程中编织着自己的命运？
当我踏上觉醒之路时，我是否正在揭示更为复杂的层面抑或是在提升自我呢？
Dream weaver.Ink on cotton rag paper 47 x 32 cm, 2018
《织梦者》，棉浆纸上水墨，47 x 32 厘米，2018
A Wilderness of Spiders
野境蛛影
A Wilderness of Spiders, Mixed media, 2023 1 x 3 m. On residence in Chongli.
《野境蛛影》 / 混合材料 / 1×3米 / 2023 / 创作于崇礼驻留期
‘A Wilderness of Spiders’ is a collective noun I came across in Virginia Woolfe’s, ‘A Room of One’s own’ (1928). She references the many eyes of a spider linked to vast vision. I like the notion of being able to see more with our eyes closed.
A ‘Wilderness of Spiders’ is essentially about dreaming and the subconscious. The work considers how our subconscious might manifest our reality. It also considers the pineal gland (located at the middle back of the skull) as a seat for the soul. A place where dreams and intuition can be discovered in quiet contemplation.
“野境蛛野”这个群体名词，我是在弗吉尼亚·伍尔夫1928年的作品《一间属于自己的房间》中读到的。她借蜘蛛的众多眼睛来喻指广阔的视野。而我则偏爱“闭目方能见更多”这一理念。
“野境蛛野”本质上关乎梦境与潜意识。这件作品探讨了我们的潜意识如何可能塑造我们的现实。它同时也关注位于颅脑后部的松果体——将其视为灵魂的宝座，一个能在静默沉思中发现梦境与直觉的所在。
A Wilderness of Spiders, Mixed media, 2023 1 x 3 m. On residence in Chongli. China
Protégé
门生
Considering ‘nature as educator’, highlighting parallels regarding resilience, through epicormic processes and hanging swamps. And the intrinsic nature between resilience and the intuition.
以‘自然为师’——从林木的损伤后萌芽与峭壁上的悬湿沼泽的生命图谱中，解读韧性的真意；进而探寻，韧性作为一种直觉，其生生不息的内在根源
Protégé, Rice paper scrolls with ink and charcoal, Bilpin International Grounds for Creative initiatives, Blue Mountain region Sydney, Australia, 2025.
《门生》 / 宣纸卷轴 水墨炭笔 / 澳大利亚悉尼蓝山比尔平国际创意基地 / 2025
